ejective sibilance 2  

Saturday, November 8, 2008

ejective sibilance 2

This occurrence of cadence
marks the confluence
of ejective sibilance
an inconsistency of decadence
in language rife with complexities.
Our acceptance of this
mixture of sounds is what
makes English a pleasure to analyse.
The coalescence of opposing
ejectives and sibilance could be described as
succulence of language.
There seems to be a standard
rule in order.
To break it is acidic.


I wanted to experiment with filling in the blanks I had left in the previous poem. Perhaps it reads more like an essay extract, but it's interesting that the whole piece begins to contain other 'k' or 's' sounds.

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phoneme work  

Friday, November 7, 2008

ejective sibilance

occurrence                                     cadence

                        confluence

               inconsistency                      decadence

          acceptance


             coalescence

                            succulence


                                                                    acidic


 I liked the idea of using the letter 'c' in both its phonetic utterances. The ejective 'k' sound and the sibliant 's' sound. In most examples I could think of, the ejective came before the sibilant, apart from acidic, acerbic and acetic  - words common to my past as a Science Technician in a school and interestingly all very similar.

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Alphabet Soup  

Monday, November 3, 2008

I became interested in the use of phonemes and some of the sounds we make when speaking. I had to research this to ascertain some terminology, but hope for this to be the start of a collection. At least, I have this as a back up idea when I am experiencing Writer's Block. In 'Daily Sonnets' Brown uses dictionary poems in much the same way, and these pre-conceived ideas for poems can be really helpful when it is of importance to just write...


Alphabet Soup

Devouring the vowels first;
the ‘O’ rolling around like honey.
‘E’ sweet and melting like candy floss.
But the ‘K’ has fricative corners;
sticking and poking
from the mouth.
Next the ‘S’ – soft, sweet, seductive
sliding inside one’s esophagus
in sibilance.
Glorious ‘G’ goads
guttural glottal inflections.
The spoon swoops
and swishes in search
of the ‘X’.

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